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It ’s an exciting time for fans ofLinkin Parkas the isthmus have embarked on a brand - newfangled chapter with the spill of their new album , From Zero . The album was released on November 15 , 2024 , and is the 8th studio apartment album by the banding . The record album ’s reception has been mostly positive asFrom Zerodebuts Linkin Park ’s new members : Emily Armstong on co - preeminent vocals , and Colin Brittain as the band ’s unexampled drummer .
From Zerois the band ’s first release sinceOne More Lightin 2017 , the final record album sport Chester Bennington ’s vocals before his premature decease later that same year . The record album marks Linkin Park ’s new beginnings , with mention to the band ’s original name , Xero . The album showcases many of the intimate sound constituent that are touch to Linkin Park ’s original audio , with Mike Shinoda ’s raps , nu - metal drumfish beats and roaring guitar Riff .
That enounce , the record album does dig into some more commercial stem with its output , likewise to howOne More Lightseemed to receive a more pop sound rather than the nu - metal roots that Linkin Park had been known for . From Zeromarks the band ’s newfangled speculation in the alternative music world , with rails that will appeal to Linkin Park fans - old and new .
Linkin Park - ' From Zero ' Tracklist
1
" From Zero ( Intro ) "
0:22
2
" The Emptiness automobile "
3:10
3
" tailor the Bridge "
3:48
4
" Heavy Is the Crown "
2:47
5
" Over Each Other "
2:50
6
" injured party "
2:20
7
" Overflow "
3:31
8
" Two Faced "
3:03
9
" Stained "
3:05
10
" IGYEIH "
3:29
11
" ripe affair Go "
1111. From Zero (Intro)
The opening cart track of the album and only 22 second gear long , " From Zero ( Intro ) " go down the assumption for the album . Beginning with some otherworldly a cappella harmony , the vocals all of a sudden cut out to disclose audio of a casual , in - studio apartment stage setting . Armstrong ’s voice is heard talking and allege " from zero ? Like , nothing ? " which seems to cement the moment that Linkin Park decided to style the albumFrom Zero .
Although the track is only 22 seconds long , and it ’s hardly really a song itself , the transcription seems to capture the significant moment where the band themselves discovered what the appropriate claim for the album was .
1010. Cut The Bridge
The trend of the data track " Cut The Bridge " is whole unlike to the Linkin Park sound that most are intimate with . With an upbeat tempo and commercially structured chord progressions wager as plucks on electric guitar , the overall sound in " trim down The Bridge " sound a small bit like to the like of Mother Mother ’s " Hayloft " and " Na Na Na " by My Chemical Romance .
Armstrong ’s vocal precede this course as a basal feature in the product , butultimately , the track is possibly a little bit too unlike - and basic - for Linkin Park fanswho may not be quite able to relate to this one equate to other tracks onFrom Zero .
99. Over Each Other
" Over Each Other " is one of the most commercial - sound songs onFrom Zero . Armstrong ’s vocal open up the track while a suspenseful bass voice line carry the birdcall ’s chord structure . Thetrack is a bit of a irksome constructor , with minimal instrumental compositionsin the beginning of the output which allow Armstrong ’s vocals to strongly carry the song .
When the rail does eventually progress into a more exciting and volatile composition , despite the production being more tilt by the end of it , the song ’s air does make the track sound a bit more like a Katy Perry , rather than Linkin Park , with its pop - orient advance .
88. Overflow
" Overflow " hold in a piano line that sounds like something from a nu - metal track in the early 2000s , butthe slow tempo beat that follow is not quite what one would expect upon listening . Guitars take a whole step back in this birdsong as distorted , echoed drum , an electronic sea bass line of business dribble the instrumentation , and vocals from Armstrong and Shinoda take a front rear end .
The Sung gradually work up , with one deformed guitar course finally come through , at which stage the call commence to fathom a bit more like an original Linkin Park song .
77. Stained
In " Stained " , Shinoda ’s vocals open up the first poetry with a sung melody crease , while Armstrong ’s vocals sing a distant legato line in the background . The track begins in a path that suggest the birdsong could explicate into a signature nu - metal speech sound at any minute , but it goes the other fashion , landing itself as in the end one of the most commercial tracks on the album .
Landing somewhere between Twenty One Pilots and Katy Perrywith its melody and chord advance , the birdsong is pretty much unrecognizable as a Linkin Park song , even despite the band ’s premature album release ofOne More Lightin 2017 opting for a more commercial sound .
66. Good Things Go
The final track on the album , " Good thing Go " , is arguably the most lyrically aroused vocal on the entireFrom Zeroalbum . Both Shinoda and Armstrong ’s lyric in the birdsong reflect onthemes of regret , aroused dynamics of personal relationships and a ego - awareness of self - sabotage .
The vocals duet together against an excited and heavy backcloth of guitars , drums and synths , in a production that serves as a move finis on the album . The production builds throughout the birdcall , with every part moving in a way that make water the caterpillar track sound bigger and good , making for a farewell runway that will surely evoke emotion among Linkin Park fan .
55. IGYEIH
Standing for " I give You Everything I Have " , " IGYEIH " is one of the cloggy track on the album with its angry language and heavy cat’s-paw yield compared to other tracks onFrom Zero . With a catchy chorus featuring raspy harmony vocals from Armstrong , the song ’s verse are driven by a classic nu - metal beat , which hardly varies throughout the song .
The Song dynasty ’s chord progression on the guitar , include their riffy outro in the chorus , ante up a nice protection to the original sound of Linkin Park . The track ’s middle eight is one of the heavy on the album , which is certain to bring some thrash at the band ’s resilient show .
44. Two Faced
' Two Faced ' sounds exactly like a track that could be on the dance band ’s 2000 record album going , Hybrid Theory , with its storm guitar riffs , ominous backdrop synths and nu - alloy beat . Shinoda ’s knock vocal music take the reign in the verses , followed by Armstrong ’s dynamic vocals take the lead melody in the chorus .
The track fit nicely onFrom Zeroas one of the songs on the record album that is closest to Linkin Park ’s original nu - metal sound . What ’s more , the track ’s breakdown in the midway eight is sure to please Linkin Park fans with its early 2000s phonograph record jockey scratch sounds and Armstrong ’s powerful fry belly laugh .
33. Casualty
The 6th data track on the album , " Casualty " , begins with Armstrong ’s signature fry screams , which make sense as to why metal band Spiritbox will be abide them on Linkin Park ’s opening term of enlistment .
Armstrong’svocals at the kickoff of the rails place a premiss for the song to possibly be the heaviest on the record album , with its instrumentation entering with a thrash metallic element - style tempo , rapidly riffing guitars and an overall strait that resemble the like of Rage Against The Machine . " Casualty " is the ultimate runway onFrom Zerothat one can probably gestate a circle pit to forge at the band ’s upcoming live show .
22. The Emptiness Machine
" The Emptiness simple machine " was the first track on From Zero that was released , which debuted Armstrong ’s vocals and marked Linkin Park ’s raw chapter as a band . The track begins with Shinoda ’s vocals , which are watch by Armstrong ’s explosive , dynamic vocal .
Thetrack is possibly the catchiest track on the record album , containing the strongest hook , a feature that pays homage to the original Linkin Park sound . The product of the path has a commercial appeal , but overall capture the other 2000s nu - metal strait that the isthmus is do it for , particularly the timber of the tympan and the chord progressions of the guitar .
