Kill Bill: Vol. 1

Summary

TheKill Billsoundtrack remains one of Quentin Tarantino ’s most eclectic and pleasurable releases . Ever since Mr. Blonde rack a police force officer to the air of “ Stuck in the Middle with You ” inReservoir pawl , Tarantino has been known for his movie ’s acerate leaf drops . His music pick are as inbuilt to his signature filmmaking style as his snappy dialogue and lifelike violence . medicine is n’t ordinarily a precedence for action at law movies , but Tarantino proved withKill Billthat the correct song can enhance the energy and excitement of a set composition .

WatchingUma Thurman as the Brideengaging in a rake - soaked sword fight with tons of hire assassins is thrilling enough on its own , butit ’s even more exhilarating with “ Nobody But Me ” playing in the background . From Bernard Herrmann ’s “ Twisted Nerve ” to Santa Esmeralda ’s concealment of “ Do n’t Let Me Be Misunderstood ” to an operatic theme by Ennio Morricone , the soundtrack ofKill banknote : intensity 1is full of gravid song , played at the staring bit .

Kill Billis useable to stream on Netflix .

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Uma Thurman is a powerhouse as the Bride in Kill Bill , while Quentin Tarantino ’s soundtrack choices utterly specify the tone for the soldierly arts epic .

Song

creative person

Kill Bill Vol 1 montage

“ Bang Bang ( My Baby take Me Down ) ”

Nancy Sinatra

“ Music Box Dancer ”

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Kill Bill: Vol. 1 follows an assassin as she seeks revenge after being betrayed by her former employer, Bill, and fellow assassins. Released in 2003, the film initiates a violent journey of vengeance directed by Quentin Tarantino and stars Uma Thurman as the central character known as The Bride.

Frank Mills

“ Ironside ”

Quincy Jones

The Bride prepares to fight the Crazy 88s in Kill Bill

“ That Certain Female ”

Charlie Feathers

“ Twisted Nerve ”

Toshiro Mifune in Yojimbo, Uma Thurman in Kill Bill Volume 2, and Bruce Lee in Game of Death

Bernard Herrmann

“ Seven Notes in Black ”

Vince Tempera

Split image of O-Ren Ishii and Pai Mei in Kill Bill

“ Main Title from Truck Turner ”

Isaac Hayes

“ The Grand Duel ( M10 ) ”

Split image of Uma Thurman in Kill Bill and Brad Pitt in Once Upon a Time in Hollywood

Luis Bacalov

“ I Lunghi Giorni Della Vendetta ( Cantina ) ”

Armando Trovajoli

Kill Bill

“ The Grand Duel ( Parte Prima ) ”

“ Run Fay Run ”

“ Armundo ”

O-Ren with a samurai sword in Kill Bill

David Allen Young

“ The Wound That Heals ”

Lily Chou - Chou

Headshot Of Uma Thurman

“ The solitary Shepherd ”

James Last & Gheorghe Zamfir

“ Green Hornet ”

Headshot Of Lucy Liu

Al Hirt

“ Battle Without Honor or Humanity ”

Tomoyasu Hotei

Movies

“ I take the air Like Jayne Mansfield ”

The 5.6.7.8 ’s

“ Woo Hoo ”

Kill Bill

“ I ’m dark ”

There are a whole pile of Easter eggs , motion picture references , and " cinematic universe " connections in the first mass of Quentin Tarantino ’s Kill Bill .

“ Death Rides a Horse ”

Ennio Morricone

“ Super 16 ”

Neu !

“ Crane / White Lightning ”

The RZA / Charles Bernstein

“ Champions of Death ”

Shuzsuko Kibushi

“ law Check Point ”

Harry Betts

“ I Giorni Dell’ira ”

Riz Ortolani

“ Nobody But Me ”

Human Beinz

“ Banister Fight ”

The RZA

“ Do n’t allow Me Be Misunderstood ”

Santa Esmeralda

“ The Flower of Carnage ”

Meiko Kaji

“ Yagyu Conspiracy ”

Toshiaki Tsushima

“ Urami Bushi ”

When Every Song On The Kill Bill Vol. 1 Soundtrack Plays In The Movie

Original Songs, Classic Music Scores, And Perfect Mood Music

“ Bang Bang ( My Baby flash Me Down)”by Nancy Sinatra – This song plays over theKill BillVol . 1opening credit and the lyrics are appropriate for the dependent matter . The Bride ’s lover guns her down in the opening shaft ofKill Bill , putting her in a coma with a bullet to the head . It might be a little too on the full point for a Tarantino movie , but it is Nancy Sinatra , so it works .

“ Music Box Dancer”by Frank Mills – The next song on theKill BillVol . 1soundtrack is playing when the Bride pulls up outside Vernita Green ’s house in the P***y Wagon . The scene takes topographic point after the Bride leaves the infirmary after killing two man who had sexually outrage her while she was in a coma . Now angry and wanting revenge , she heads to Vernita to kill the first mortal responsible for the attack that opened the movie .

“ Ironside”by Quincy Jones – An excerpt from Quincy Jones ’ stem fromIronsideplays when Vernita opens her front room access to find the vengeful Bride wait for her . This scenery demo Vernita now living life as a housewife , and the onslaught from the Bride on her was not only a great scrap , but also disturbing , as Vernit ’s daughter was there to vow revenge against her mother ’s killer .

“ That Certain Female”by Charlie Feathers – In the flashback to the consequence of the Massacre at Two Pines , this song is playing as Texas Ranger Earl McGraw arrives at the panorama of the criminal offense . The scene was a pocket-size one that showed the fit of the criminal offense , but the song once again had an interesting form of address considering the tarradiddle ,

“ Twisted Nerve”by Bernard Herrmann – This song plays as Elle Driver walk through the hospital to obliterate the Bride . Elle sing the strain before the original transcription takes over the soundtrack . This was a fun panorama thanks to Elle ’s mannerisms , but it all ended with Elle exit the infirmary and letting the Bride be .

“ Seven Notes in Black”by Vince Tempera – This track , taken from Lucio Fulci ’s Giallo classicSette Note in Nero , fiddle when Buck returns to the Bride ’s hospital way and finds her overleap . The track was a decent one that Tarantino pull out out of a movie he love when he worked as a TV rental shop assistant .

“ Main Title from Truck Turner”by Isaac Hayes – This Sung , another one accept from an earlier film ’s soundtrack , play when the Bride find the P***y Wagon in the hospital parking set . Tarantino used several Sung like thisto salary homage to the picture show he referenced inKill Bill .

Quentin Tarantino fills all his movies with references to other film , but his two - part epic , Kill Bill , is the summit of his homage - driven style .

“ The Grand Duel ( M10)”by Luis Bacalov – This birdsong boot in when the Bride is lying on the backseat of the P***y Wagon , wiggling her toes as she attempts to regain the use of her leg . To kill some clock time , she say the audience the origin story of O - Ren Ishii .

“ I Lunghi Giorni Della Vendetta ( Cantina)”by Armando Trovajoli – During the anime segment occupy in O - Ren ’s backstory , this song plays over the macabre slaying of her father . The song ’s form of address translates to " Long Days of Vengeance , " which fits the scene dead .

“ The Grand Duel ( Parte Prima)”by Luis Bacalov – This track spiel as oxygen - Ren cowers under the bed inKill Bill ’s emotional flashback sequence , witnessing her parents ’ gruesome death . This song is byLuis Bacalov , who had two songs in this movie and also three songs in Tarantino’sDjango Unchained . He previously compose music for the originalDjangoin 1966 .

“ be given Fay Run”by Isaac Hayes – This song plays when O - Ren shoots a alien pol . This abbreviated sequence demonstrates her increasing artistry as a killer . The song by Isaac Hayes was originally recorded in 1974 for the Fred Williamson action movieTough guy .

Kill Bill is cast anchor by the Bride and Bill ’s love / hate relationship , but they ’re backed up by memorable supporting players like O - Ren Ishii .

“ Armundo”by David Allen Young – This song act over the introduction of O - Ren ’s retinue : Sofie Fatale , Gogo Yubari , and Johnny Mo. The scene leads to a meeting with group O - Ren and introduce the women that the Bride will battle very shortly in the movie .

“ The Wound That Heals”by Lily Chou - Chou – This track plays as the Bride goes into Hattori Hanzō ’s attic and find one of his legendary steel . She commission a new one for her showdown with O - Ren . Lily Chou - Chou is a Nipponese banding that debuted in 2000 , so this was a rare chance for Tarantino to convey some attention to younger music artist .

“ The Lonely Shepherd”by James Last & Gheorghe Zamfir – This Song dynasty from theKill Billsoundtrack is used a few timesthroughoutKill invoice : loudness 1 . It first plays when Hanzō gives the Bride her newfangled sword . It reappears when the Bride writes her kill tilt on the carpenter’s plane and plays again in the death credits .

“ Green Hornet”by Al Hirt – The theme from the oldGreen Hornetseries plays as the Bride follows O - Ren ’s convoy atop her bike . The song is mostly used as a fun callback to the old - school comic ledger theatrical role . One ofTarantino ’s previous movies introduced his variant of Bruce Lee , which also ties intoGreen Hornet , as he played Kato in the classical television set appearance .

“ Battle Without Honor or Humanity”by Tomoyasu Hotei – One of the most recognizable raceway on theKill Billsoundtrack , this song plays as O - Ren , Gogo , Sofie , and the demented 88s enter the House of Blue Leaves . The song was in the beginning featured in a movie with the same title as the musical caterpillar track . Other thanKill Bill , it has also appeared inTransformers , Shrek the Third , andThe Mitchells vs. the Machines .

“ I Walk Like Jayne Mansfield”by The 5.6.7.8 ’s – The 5.6.7.8 ’s play themselves inKill Bill ; they can be seen performing at the House of Blue Leaves . They ’re play this song as atomic number 8 - Ren and the Crazy 88s finalize down in the club and the Bride is shown to be lingering nearby . It is the first of three songs by the stria to come out in theKill Billsoundtrack . This birdcall was from their 1994 self - titled album .

“ Woo Hoo”by The 5.6.7.8 ’s – The band playact this song as Sofie move to the bathroom in the society and the Bride lurks around her . This was the only of the three tracks by The 5.6.7.8 . ’s that was released afterKill Bill Vol . 1 .

“ I ’m Blue”by The 5.6.7.8 ’s – The 5.6.7.8 ’s ’ cameo inKill Billculminates with this song when Gogo is institutionalize to investigate a suspicious noise and the Bride hides from her . This song was on the albumTeenage Mojo Workout , which come out one yr beforeKill Bill Vol . 1 .

From Reservoir Dogs ' armed standoff to Once Upon a sentence in Hollywood ’s Manson bloodbath , Quentin Tarantino ’s movies incline to go out in style .

“ Death Rides a Horse”by Ennio Morricone – This iconic grade can be heard in short as the Bride call to O - Ren before taking on the Crazy 88s . As with many strain on theKill Billsoundtrack,“Death Rides a buck " is the theme for a movie , this one a Spaghetti Westernfrom 1967 star Lee Van Cleef .

“ Super 16”by Neu ! – A quick selection of this vocal diddle as O - Ren hideaway and leave behind her goon squad to take care of the Bride . This is an older song from the albumNeu ! 2 , which get along out in 1973 . The way of music is call krautrock , which is German experimental rock from West Germany in the 1960s and 1970s .

“ Crane / White Lightning”by The RZA / Charles Bernstein – This song plays when the Bride is surrounded by the half-baked 88s and train for battle . This was one of the track by RZA , who produced and orchestrated the medicine for theKill Billsoundtrack . grant to RZA ( viaWuforever.com ):

" There was one situation where you see , " Crane and White Lightning . " That ’s part of the original account , so it ’s not really a song . A lot of that clobber is what I use to keep the vibe move between songs . " Crane and White Lightning " is a piece of euphony that Quentin wanted on the soundtrack , but was originally set for a Metallica rail . "

“ genius of Death”by Shuzsuko Kibushi – This is one of many song that play during the Bride ’s battle with the Crazy 88s , one of Tarantino ’s groovy action mechanism sequences .

“ law Check Point”by Harry Betts – During the showdown at the House of Blue Leaves , the soundtrack switch to this song . Betts was an American jazz trombonist who solve on several movies in the 1960s and 1970s , includingBlack Mama White Mama(1972 ) andNice Dreams(1981 ) .

“ I Giorni Dell’ira”by Riz Ortolani – This birdsong is heard briefly when the Bride pulls out one of the Crazy 88s ' eyes . Riz Ortolani was an Italian composer who worked on several movies over his career . translate to " day of Anger , " this song also appeared inDjango Unchained​​​​​.

“ Nobody But Me”by Human Beinz – When the battle changes from color to black-market - and - lily-white , this vocal kicks in on the soundtrack . The song is from the Human Binz introduction album , which was expel in 1968 . The song was a bang when it was released , peaking at 8th on the Billboard Hot 100 , although it was the isthmus ’s only song to ever graph .

“ Banister Fight”by The RZA – This birdcall play when the Bride fight back Johnny Mo while balancing on a balusters after defeating the Crazy 88s . This was a vocal that RZA created for theKill Billsoundtrack .

In Quentin Tarantino ’s Kill Bill , Uma Thurman may give a human dynamo performance as the Bride , but she ’s joined by a stellar tout ensemble .

“ Do n’t Let Me Be Misunderstood”by Santa Esmeralda – This song plays as the Bride fights O - Ren in the snowy garden . This is one of the good battle scenes inKill Bill , with the white snow contrasting with the red blood , while Tarantino perfectly choreographed the conflict . This was a disco remake of the Animals ' version of the song , where Esmeralda used Latin calendar method of birth control ti shake things up .

“ The Flower of Carnage”by Meiko Kaji – This Song dynasty from theKill Billsoundtrack play when the Bride defeats O - Ren and then walk aside . Kaji is not only a Nipponese vocaliser but also an doer in her own right wing . Fans know her best from the lead role inLady Snowblood , which was the film that Tarantino homagedduring this big fight between the Bride and atomic number 8 - Ren in the snow .

The Bride was based on the character of Lady Snowbird , played by Meiko Kaji .

“ Yagyu Conspiracy”by Toshiaki Tsushima – This song plays as the Bride explains why she let Sofie live . Tsushima is a Nipponese composer who work on several pic throughout the 1960s and 1970s . This specific song come from the 1978 martial arts movieShogun ’s Samuraistarring Sonny Chiba .

“ Urami Bushi”by Meiko Kaji – This path plays over the closing citation ofKill vizor : loudness 1 . Once again , Tarantino utilise a song by theLady Snowbirdactor to close out the moviewhich owes its world to that warriorlike arts classic .

Where To Listen To The Kill Bill Vol. 1 Soundtrack

The Kill Bill Soundtrack Is Available On Spotify, YouTube, Apple Music, And Several Other Platforms

The officialKill Billsoundtrack is usable to stream and buy onmajor music platform likeSpotify , YouTube Music , Apple Music , andDeezer . However , not all the song from the movie are available to stream in those places . For instance , there are 22 racecourse on Spotify , but not all of them are Song and some are just here and now from the movie , as the last three tracks are sound essence fromKill Billcalled " Flip Sting , " " Sword jive , " and " Axe Throws . "

TheKill Billsoundtrack is what Spotify has , which Warner Bros. released in 2003 . There was also a vinyl radical version of the movie soundtrack Warner Bros. release that only included 15 of the songs , leaving off both RZA songs as well as " Super 16 " and " Ironside . "

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Kill Bill : Vol . 1 follows an assassin as she seeks revenge after being cheat by her former employer , Bill , and fellow bravo . Released in 2003 , the film initiates a wild journeying of retribution directed by Quentin Tarantino and star Uma Thurman as the central character acknowledge as The Bride .