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Quentin Tarantinois one of the most respected ( and controversial ) movie maker of his generation , and he has a very specific narration and visual mode that has earned the praise of critic and viewers for years , and he has Tarantino motion picture techniques that he uses in every one of his film . Quentin Tarantino ’s career as a filmmaker began in 1992 with the crime movieReservoir Dogs , which went on to become a classic of independent movie theatre , but his big severance arrive two years later withPulp Fiction , which is still wide regard as his unspoiled flick .
Since then , Tarantino has explored a mixed bag of genresin his picture – from martial arts with bothKill Billmovies to slasher withDeath Proofand even alternate interpretation of historical events withInglourious BasterdsandOnce Upon a clock time in Hollywood . Although Tarantino has n’t set himself to one genre , every one of his moving picture has those typical elements that make it a Tarantino film , and these have become so democratic that viewers now look for them in every one of his projects – and here are eight tricks that Quentin Tarantino uses in every moving-picture show .
9Trunk Shots
The trunk shot is a camera angle capture the subjects from inside the trunk of a car and has become a trademark of Quentin Tarantino motion picture proficiency . The director first used this shot inReservoir Dogs , in the conniption where Mr. Blonde ( Michael Madsen ) , Mr. White ( Harvey Keitel ) , and Mr. Pink ( Steve Buscemi ) are gazing down upon Officer Marvin Nash , who was caught and tied up by Blonde .
shoot the character reference from a low-pitched angle is a way of life to show their dominance , enduringness , and exponent , whether they are looking at a kidnapped law police officer , the weapons at their disposal ( Pulp Fiction ) , or the national socialist soldier they are about to will with a lasting scar on their frontal bone ( Inglourious Basterds).Death Proofgave the luggage compartment shoot a twist by looking at Kim ( Tracie Thoms ) and Zoë Bell from under the cap of the car , whileOnce Upon a Time in Hollywoodcompletely cut the trunk shot .
8Food
Food scenes and references can be found in every Quentin Tarantino movie and there ’s actually a narrative reason for these Tarantino film proficiency . Scenes like the opening single inReservoir DogsandPulp Fiction , with the squad experience breakfast in the former and Honey Bunny ( Amanda Plummer ) and Pumpkin ( Tim Roth ) in the latter , show the characters ’ roles in the story as well as their personality , with the thief giving hints at how they see the world and what they do and Honey Bunny and Pumpkin showing that they are sociopaths .
The famous“Royale with Cheese ” scene inPulp Fictionalso bring out the personality of Jules Winnfield ( Samuel L. Jackson ) and Vincent Vega ( John Travolta ) , and inDjango Unchained , everything goes down during dinner at Calvin Candie ’s ( Leonardo DiCaprio ) menage ( and his shitty tooth are the answer of his undue sugar intake ) . Another memorable food for thought scene , and one that stay on to be subjected to psychoanalysis , is the restaurant aspect inInglourious Basterdswhere Hans Landa ( Christoph Waltz ) is interrogate Shosanna ( Mélanie Laurent ) , and gild apple strudel with cream for both and a glass of milk for her .
This is one of the most suspenseful scenes inInglourious Basterdsas it seems for a here and now that Landa has fancy out that Shosanna is Judaic , and food is cardinal to showing Landa ’s power over pretty much anyone he talks to . tote up to how Tarantino shows a character ’s laterality through food is the scene inPulp Fictionwhere Jules take a bite from Brett ’s Big Kahuna Burger , as well as a sip from his soda .
7Feet
One of the most talked about and even controversial Tarantino pic techniques in his film is how he always finds a elbow room to lend , at least , one shot of female feet . Tarantino has n’t expanded on the possible meaning or reason behind all the feet shots in his motion picture , enounce that he does n’t take them seriously and “ there ’s a lot of feet in a band of good director ’s movies ” , so it might just be yet another example of Tarantino consume inspiration from other directors ( more on that later ) .
However , in some pillow slip , the feet shots in Tarantino ’s moviesare there for a reason , such as inDeath Proofwhen Mike McKay ( Kurt Russell ) touches and licks Abethany Ross ’ feet ( Rosario Dawson ) , shew that he ’s a marauder , and inInglourious Basterdswhen Hans Landa wants to reassert that the show he institute at the tavern belong to Bridget von Hammersmark ( Diane Kruger ) .
6Violence & Blood
Of course , the most controversial Quentin Tarantino film techniques in his picture are his ( sometimes exuberant ) habit of violence and line of descent . Tarantino ’s stylized violence might be his gravid trademark , and he has explained that , while he definitely does n’t excuse ferocity in the existent world , “ in pic , furiousness is cool ” . Violence and blood are present in every Tarantino moving-picture show , more in some than others ( Inglourious BasterdsandDjango Unchainedare the two Tarantino movies with the highest kill count ) , but even less - strong-growing movies likeJackie Brownhave their near dose of wildness .
5Frequent Collaborators
Like many other directors , Tarantino has his listing of frequent collaborators , so much so that every time he announce a fresh labor , some of them are immediately assumed to be part of it . The actor who has seem in most Tarantino flick is , unsurprisingly , Samuel L. Jackson , appearing inPulp Fiction , Jackie Brown , Kill Bill : Volume 2(bothKill Billmovies are look as one),Inglourious Basterds(where he serves as the narrator),Django Unchained , andThe Hateful Eight . Other frequent collaborators of Tarantino are Michael Madsen , Harvey Keitel , and Uma Thurman .
4Fictional Brands
Quentin Tarantino has fare up with fictional brands that pop up in all of his moving picture , and they have become part of the Easter ball to look out for whenever he releases a newfangled projection . Big Kahuna Burger was first seen inReservoir Dogs , as that ’s where Mr. Blonde ’s beverage is from . The most memorable appearance of Big Kahuna Burger is inPulp Fictionwhen Jules intimidates Brett and take a bite from his Warren Burger . The other brand that seem in almost every Tarantino motion picture is Red Apple Cigarettes , first seen inPulp Fictionand later used inOnce Upon A metre In Hollywood ’s oddment credits scene as Rick Dalton ( Leonardo DiCaprio ) starred in a commercial for the mark .
3References To Other Movies
Quentin Tarantino has been quite honest about taking inspiration from other motion picture to indite and make his own , but sometimes these inspirations and book of facts have led to charge of plagiarism . Reservoir Dogstakes its plot from the 1952 movieKansas City Confidential , the character being diagnose after colors are from the 1974 movieThe Taking of Pelham One Two Three , and its terminal minutes are very similar to the 1987 movieCity on Fire . Other object lesson arePulp Fiction ’s celebrated terpsichore setting , inspired by Jean - Luc Godard’sBande à Part , Django Unchainedis urge by the 1975 movieMandingo , and bothKill Billmovies take ingredient fromGame of Death , Lady Snowblood , andThe Bride Wore Black .
2Non-Linear Narratives
One of the most impressive Quentin Tarantino plastic film technique is his power to recite a complex story using a non - linear narrative . This was evident in his jailbreak moviePulp Fiction , where Tarantino purposively told the story with a non - linear narrative . The movie maker has admitted that the story would never work if told chronologically , and he wrote it out of monastic order , so the reveals would work as well as they do . Tarantino come to toPulp Fictionas a moving picture about a " series of duo . " He go on to say that the account would n’t have worked without what came before and after it in the film .
This is also one of the Tarantino film techniques that homages classic film that he loved so much . His movieJackie Brownwas countersink up in the same non - linear fashion as the Akira Kurosawa classicRashomon . In both movie , there is a offense that the viewer desire to see resolve . The flick then show the offense from different citizenry ’s points of view and then countenance the viewers to see at the end which tale was true - if any of them were completely true . The non - analogue format of his movies has played all throughout his noted career .
1The Tarantino Movie Universe
In improver to making references to other movies , Quentin Tarantino film techniques include reference to his past moving-picture show as they are all part of the same cosmos . The Tarantino Shared Movie Universe is divided into two levels : the “ realer than real ” world ( Reservoir Dogs , Pulp Fiction , Inglourious Basterds , Django Unchained , The Hateful Eight , Once Upon A Time In Hollywood ) and the “ moving-picture show - in - a - movie ” universe ( bothKill Billmovies andDeath Proof ) , these being the film that those in the first level vigil .
Because of these , some characters come out in different movies ( such as Earl and Edgar McGraw ) and others are related , as is the eccentric ofPulp Fiction ’s Vincent Vega andReservoir Dogs ’ Blonde / Vic Vega , and Jimmie Dimmick ( Tarantino ) and Mr. White . Quentin Tarantino ’s tenth ( and possibly final ) movie will sure have links to its several level in the Tarantino Shared Movie Universe , as well as some ( if not all ) of the above - mentioned Tarantino film techniques .
