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Summary
The upcomingOne Punch Manlive - action movie will accommodate the darling superhero gum anime into a palpable feature moving-picture show , but faces some alarming pitfalls along the way . substantiate to still be in development with Justin Lin set to take ( viaHollywood Reporter),One Punch Manwill have the difficult task of morphing the high - fly spectacle of the original webcomic ’s public into existent stage set and carrying out . The handwriting is beingre - written by Dan Harmon and Heather Anne CampbellofRick and Morty , Community , andWhose Line Is It Anyway?fame .
As far aslive - action anime adaptationsgo , One Punch Manwon’t be a walking in the parking area . The colorful fiber design , jaw - dropping spectacle , and unequalled sense of humour all spot to an version incubus . However , the same thing could be say forOne Piecebefore Netflix was able to nail a resilient - action mechanism series based on the legendary manga . Heather Anne Campbell being a rooter of the series since 2015 provides a further irradiation of hope , but there are many mistake the writer and directors could make in attempting to bringOne Punch Manto life .
10One Punch Man Might Not Nail The Series' Sense Of Humor
ONE has a very particular brand of comedy
One Punch Manis a serial with built-in humor . Between the knowingly - ridiculous hero and monster name and origin write up , the Cartesian product of mundane real - domain problems with city - destroy threats , and commentary on Japanese corporate culture , the series has an eclectic mixture of lowly - brow jokes and matter - of - fact dry wit . There ’s a very actual danger that the unique drollery ofOne Punch Man ’s original author , have sex by the pseudonym ONE , will be the first affair to be lose in translation .
Obviously , both Dan Harmon and Heather Anne Campbell have some serious drollery chopper , having worked on some of the most beloved Adult Swim orgy likeRick and MortyandThe Eric Andre Show . But the twosome of writers would do well to avoid using the same type of jokes in their previous body of work forOne Punch Man , which is n’t know for sarcasm , or breaking the fourth wall . As absurd asOne Punch Mancan get , the case are never spry to point out the inherent drollery of the surrounding bedlam , rather drawing laughs from counteract expectations and dramatic irony .
9One Punch Man Can’t Rely On Comedy Too Much
Funny though it can be, One Punch Man allows itself to be dramatic when necessary
Contradictory though it may be , drollery is by far the only thing maintain dedicated rooter ofOne Punch Mancoming back after over fifteen years . In fact , the wecomic , manga , and anime all leave themselves to be shockingly poignant when need be , untroubled to shoot genuine fictional character ontogenesis and tender moments in the midst of the bloody chaos ofOne Punch Man ’s destructive world . Hopefully , the producers will recognize this before over - rely on the series ' silly surface .
Dan Harmon has admittedly done an awing job balance comedy withserious moment inRick and Morty , painting a hopeful picture of the film ’s ability to carry off flavor . If an over - trust on humor was to come from anywhere , it would likely be a studio apartment note , or under the direction ofFast and Furiousdirector Justin Lin . If the lighthearted romps of the turbo - charged dealership are anything to go by , One Punch Mancould be in danger of having its depth sucked away in favor of unmindful entertainment .
8One Punch Man Will Have To Balance A Large Cast
Where and when the film makes cuts will be a delicate balancing act
Compared to Netflix’sOne Piece , theOne Punch Manmovie will have the drawback of being a feature of speech moving picture rather than a straggle unrecorded - action serial . This think of that the story will in all probability have to be far more condense , experience to cut certain character and poor boy - game for the sake of brevity . ConsideringOne Punch Man ’s immense cast of character with relatively equal screen door presences , the movie will have a difficult time picking and choosing what to keep .
Despite Saitama being the friend , he expend astonishingly little time as a perspective grapheme . More often than not , in the first season , it ’s the cyborg Genos who is given more of a viewpoint case status , with other minor torpedo like Mumen Rider or even villains like Speed - o'-Sound transonic pickings shopping centre stage with their thought process . Even just sticking to the first time of year of the gum anime , aOne Punch Manmovie will have some tough decision to make regarding which mini - discharge are in the news report .
7Saitama’s Origin Story Needs To Stay The Same
Explaining his power any better would be a cardinal sin
One of the most compelling mysteries ofOne Punch Manisthe actual generator of Saitama ’s power . Despite being the unquestioned strongest hero in the universe by anyone to actually see him scrap , Saitama has no specially grand origin tale explaining the source of his unbelievable feats of strength and speed . According to him , he was just a humble office worker who became a hero for fun , attaining godlike stage of strength after bond to a daily exercise routine – " 100 button - ups ! 100 sit - ups ! 100 squats ! And a 10 kilometer campaign ! "
Of of course , it ’s utterly ridiculous that even a strict body - weight recitation routine would deed over Saitama the ability to let loose planet - scale attacks , and fans certainly have their own theory regarding Saitama ’s strength . It ’s easy to conceive of the filmmakers being unsatisfied with this answer , however , and outsource Saitama ’s power to some other fantastic stock as a way to assuage odd audiences unfamilair with the author material . This would be a weighty fault , as part of the charm of Saitama ’s specialty is its championing of the relentless human spirit .
6The Costumes Could Make Or Break The Visual Design
One Punch Man should avoid MCU character design
One Punch Mancertainly does n’t rely on flashy or over - designed character to keep interview invest . In fact , many of the series ' big epithet have quite unpretentious outfits . From Saitama ’s simple yellow and red jump suit to a high up - ranking Hero of Alexandria being literally named Tanktop Master , the designs of most ofOne Punch Man ’s paladin are subtle , to say the least , something Hollywood historically has n’t been specially affectionate of .
The upcomingOne Punch Manwill have to nullify overcomplicating the simple , but effective excogitation of the primary dramatis personae . It ’s gentle to see a populace in which the movie falls prey to theMCU ’s style of superhero costumes , with uncalled-for complex communication channel , 135 degree angle , and overly - variegate textures plaguing what could be a clean character pattern . Hopefully , the cinema ’s costume designers will know better than to attempt to fix what is n’t break .
5The Special Effects Will Need To Be On Point
One Punch Man has quite the unbelievable world
Like many live - action gum anime adaptations , One Punch Manwill have an intimidate work load when it comes to portraying the fantastical world of the franchise . From colossal monstrosity villain to dazzle hero top executive and even the gauzy musical scale of the urban urban sprawl ofOne Punch Man ’s megacities , the peculiar force budget will need to take a priority . If the film ’s CGI is n’t on point , the intact premise is in peril of dilapidate .
One Pieceproved that even the most big - than - life story anime preferences were subject of being bring to live action thanks to the miracle of modern special effect . But the jumbo monsters ofOne Punch Manwill command levels of CGI artistry on par with Legendary Pictures ' Monsterverse for look remotely good . Many of these non - human character are also implausibly important to the story as well , with the alien invader of the first Zanzibar copal season ’s last moments being particularly critical in install Saitama ’s truthful metier .
4The Fight Scenes Will Be Difficult To Adapt
One Punch Man has to live up to his name
Like a respectable deal of anime , one of the biggest hooking toOne Punch Manhas always been the lovingly - turn in fight scenes . fastidiously hand drawn with gorgeous frame - by - frame animation , the prominent engagement of the serial never bomb to get the blood pumping , whether its Genos fighting for his life story against an adversary he ’s dispiritedly outmatched against or Saitama bust through a monster with a bored look on his face . These fight scenes all have a tone that might make them particularly difficult to bring to life in live - natural action .
The dynamic line , firing , and impact of every blow inOne Punch Man ’s fights might make them nigh - impossible to replicate on the big screen . Granted , Justin Lin is no stranger to unbelievable legal action scene thanks to his work in theFast and Furiousmovies , but even the luxuriously - flying stunt of the action at law human dynamo pale in equivalence to the gauzy musical scale of battle inOne Punch Man . With powerful heroes and villains switch over nose candy unattackable enough to shatter the Earth ’s atmosphere , carry the mass murder of the original art in live action wo n’t be well-to-do .
3The Soundtrack Needs To Live Up To The Hype Of The Anime
Sticky legal situations may prevent a faithful OST
One of the swell additions theOne Punch Mananime made to the source material was the injectant of a phenomenal rock soundtrack . With two incredible openings from antechamber - of - renown anime creative person JAM Project , as well as its own incredible OST write by Makoto Miyazaki , the melodic themes ofOne Punch Manhave always been able to keep up with the unbelievable animation and earth - shattering fights with an energize soundtrack of vestal adrenaline . This will be a knotty routine to follow for the live - natural action picture .
It ’s undecipherable as to whether the movie adaptation could lawfully use the same songs from the gum anime , with right of first publication stickiness possibly locking out the amazing original medicine . Despite how well - knownOne Punch Manhas become for its phenomenal sound design , there ’s a very real chance that the film incarnation could be forced to fend for itself musically . From the driving techno trounce of Genos ' theme to the terrifying shock of tracks like " demon , " living up to the raw major power of the first season ’s OST in particular will be a improbable orderliness for even the most seasoned of Hollywood composer .
2Saitama’s Casting Can’t Rely On Star Power
The hero for fun is no A-lister
Casting Saitama might be one of the most amazingly difficult tasks for Hollywood to accomplish when adaptingOne Punch Man . Whoever does get the honor of playing the titular hero will have to balance off - beat comedy with unrelenting power , at once a relatable everyman and an unkillable god of battle . It does n’t help that Saitama literally has two faces depending on how serious he is at any given minute , his features morph from soft and cartoony to a sharp , dim traditional gum anime booster .
Above all else , Saitama is supposed to be a regular guy who was just willing to step up and be a hero . To play this up , the picture would do well to roam an unknown in the role , as the prospect of a Saitama with the recognizable font of an A - list actor would be too much cognitive noise to bear . It goes without say thatOne Punch Manshouldn’t fall into thewhitewashing habits of one-time movie , admit Zanzibar copal adaptation likeGhost in the ShellandDragonball Evolution , and actually meet out its cast with Japanese or East Asian worker and actresses .
1Dan Harmon’s Story Circle Could Upend The Plot
One Punch Man isn’t a traditional hero’s journey
An incredibly respected author , Dan Harmon is known for his press on using a circular story structure that walks a narration through a classical hero ’s journeying . The circle basically describe a protagonist who enters into an unfamiliar situation in pursuit of something , only to be irrevocably changed once they get it . While a solid gimmick for building many narration , this social organization crumbles when applied toOne Punch Man .
Rather than being a classic Heron who wants something , Saitama is forced to languish in the noesis that he ’ll seemingly never get what he wants . Despite being relatively comfortable in stasis , Saitama ’s desire for a desirable challenge and utter boredom at having achieved divine levels of power are a universal constant of the serial . It ’d be dangerous for Harmon to hold this favorite technique as a writer onOne Punch Man , perhaps morph the storey into something completely unfamiliar .
informant : Hollywood newsperson
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